Friday, August 22, 2008

Hachirota Hachimaki


Hachirota "Hachimaki" Hoshino Hoshino Hachirōta?)

Voiced by: Kazunari Tanaka (Japanese), Kirk Thornton (English)
Hachirota Hoshino is the protagonist of the series. Everyone simply calls him "Hachi" (Japanese for "eight" or "eighth") or "Hachimaki" "Hachimaki"?), because he wears one during his EVAs). His dream has always been to own his own spaceship, but between the cost of purchasing one and his low-paying, seemingly dead-end job, Hachi struggles with even deciding whether or not to pursue his dream. Hachi's father is a renowned engineer, a source of much ambivalence to Hachimaki. Much of Hachi's drive is summed up in "bigger, faster, and further". However, this drive makes him conflicted about his own relationship with space. Loud and brash, Hachi has difficulty expressing himself adequately, especially in romantic matters.

Ai Tanabe
Voiced by: Satsuki Yukino (Japanese), Julie Ann Taylor (English)
Ai Tanabe is the newest member of the Debris Section. She is the adopted daughter of a death metal band leader turned engineer and an elementary school teacher. Tanabe did not speak until she was three years old. She is bright and earnest, but mostly unsure of herself. As a newcomer to space, the Debris Section and to extra-vehicular activity all at the same time, she has to slowly learn the ropes from everyone else. She believes that love, or "ai" (possibly a pun intended on her name being the Japanese word for love) is the solution to every problem. Kind and sweet, she is willing to do almost anything to help others. However, her kind spirit also masks a drive to become better than she is.

Fee Carmichael

Voiced by: Ai Orikasa (Japanese), Wendee Lee (English)
Fee Carmichael is the American pilot of the "Toy Box", the debris-collecting ship used by the main characters. She was born in Richmond, Virginia, and the daughter of a prominent lawyer. Even more loud and brash than Hachi, Fee often becomes violent at others' actions and inaction, but she always means well. Being a heavy (and slightly ashamed[3]) smoker, she has difficulty finding places to indulge her habit in space, as smoking is a strain on life support systems and is thereby restricted to designated smoking rooms. This often makes her quite irritable, especially after all smoking rooms are shut down as the SDF began planting bombs in them. In the anime, she is able to get around this with an enclosed personal "smoker's seat" (which is prone to inadvertent sabotage). Married with a young son, Fee lives in Florida when not in space, which is not very often

Yuri Mihairokov , Yūri Mihairokofu?, Russian: Юрий Михалков Yuri Mihalkov)
Voiced by: Takehito Koyasu (Japanese), Jamieson Price (English)
Yuri Mihairokov is the Russian member of the Debris team. Calm, stoic, kind and compassionate, Yuri often acts as the level head of the group. Several years before the events of the story, he and his wife were in a low-orbit craft traveling to England when a small bolt slammed into one of the ship's windows at high velocity, causing the plane to depressurize and make an emergency landing. Many died in the highly publicized incident, including Yuri's wife, who was never found. The incident and Yuri's desire to recover his wife's lost keepsake, a compass she wore around her neck, drives him to collect more debris. It is often speculated that Yuri's name is a reference to Yuri Gagarin and Nikita Mihalkov. In the anime, Yuri and the Debris Section Office Staff are responsible for looking after the ISPV 7's resident animals.


he story of Planetes takes place in the near future. Unlike many other anime and science fiction productions, special care was given in Planetes for a very realistic depiction of space and space travel. For instance, when in a weightless environment, the cel count dramatically increases in order to make weightless motion more fluid and realistic. Also, spaceships make no noise in the vacuum of space and astronauts routinely suffer from known space illnesses such as radiation poisoning, decompression sickness, cancer, brittle bones and mental illnesses spawned from isolation in the vacuum of space. One character, born on the Moon, grew to be abnormally tall due to the lesser lunar gravity.

Concepts like momentum in weightlessness are early plot points and are always illustrated naturally. Director Goro Taniguchi stated in the DVD commentary that he learned much about orbital mechanics in the course of making the series. This can be shown in showing specific orbital energy, through changing orbits by applying thrust throughout the series.[4] Even the necessity for the retrieval of space debris that is central to the plot is rooted in the serious and growing problem with space debris today .

The show also works to connect itself to the history of rocketry and space flight. The opening sequence is similar to the television series Star Trek: Enterprise, featuring a montage of the history of space flight from Greek mythology to the "modern" setting outlined in the series. Along the way, animated images of important milestones in space travel like Robert Goddard's early rocket tests, the V-2 rocket, Sputnik 1, Laika the dog, the Vostok spacecraft, Apollo 11, Skylab, Mir, the International Space Station and the Space Shuttle Endeavour and other mile stones are displayed. References to early pioneers in rocketry like Konstantin Tsiolkovsky, Robert H. Goddard, Wernher von Braun and Hermann Oberth are also made regularly.

The Japanese space agency JAXA served as a technical consultant to the series. The US version of the DVDs featured interviews with two scientists from NASA's Orbital Debris Section. However, both scientists stated that the premise of having to rendezvous with debris in orbit is highly unlikely as it would take an extravagant amount of energy for a relatively small amount of salvageable material. One of the scientists stated that the previous director of the NASA Orbital Debris Section was in fact Donald J. Kessler, the scientist who proposed the eponymous Kessler Syndrome, which is cited and used several times in both the anime and manga

Human elements
Hachimaki in his EVA suit.


The story also depicts the richer countries monopolizing resources in space and the poorer ones falling into civil war and being invaded or needing the assistance of those richer countries, telling a story of dependency theory and the negative side of environmentalism The conflicting views of the terrorist group, the Space Defense Front, who wish to shut human beings off from space, the main characters who believe in the importance of space exploration and development, and the International Treaty Organization (INTO) which wants space development primarily to serve the military needs of developed nations also play major roles. The anime refrains from oversimplification of the various factions, portraying both true believers and those with ulterior motives on all sides. The final settlement of the conflict is also unique in that it is not resolved by any of the main protagonists or antagonists, but by a compromise struck between powers above their heads.

Both the anime and manga set a precedent of portraying a highly multicultural cast of characters respectfully and with minimal use of racial stereotypes as previously seen in almost all manga and anime which features a similar cast (For an example, see G Gundam). In fact, those characters who refer to stereotypes in the anime are usually berated by other characters almost immediately.

Fushigi Yuugi
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